Oslo, b.1967

Anne Katrine Senstad

Norwegian artist Anne Senstad was educated at Parsons School of Design and The New School for Social Research in New York. Senstad works in the multi disciplinary intersections of installation art, photography, video, neon sculpture, immersive installation, landart and site specificity, with a focus on the phenomena of perception, light, sound and color, as well as critical and poetic text based works on dialectics, literature and philosophy. Senstad is concerned with sensorial aesthetics, perception and the transformative, - the transcendental ideas of art and philosophical practice. She has examined the spatial, topological and scientific phenomena of light, sound and color since the mid 1990’s, a foundation for her explorations in the experiential and experimental. The inherent lyricism in her work, creates a bridge between psychological elements, materiality and these thematic...

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Biography

Norwegian artist Anne Senstad was educated at Parsons School of Design and The New School for Social Research in New York. Senstad works in the multi disciplinary intersections of installation art, photography, video, neon sculpture, immersive installation, landart and site specificity, with a focus on the phenomena of perception, light, sound and color, as well as critical and poetic text based works on dialectics, literature and philosophy. Senstad is concerned with sensorial aesthetics, perception and the transformative, - the transcendental ideas of art and philosophical practice. She has examined the spatial, topological and scientific phenomena of light, sound and color since the mid 1990’s, a foundation for her explorations in the experiential and experimental. The inherent lyricism in her work, creates a bridge between psychological elements, materiality and these thematic concerns. In her ongoing field work, she engages in cultural, social and political interactions through active, organic and personal involvement for a wider educational and collaborative platform between diverse ideologies, developing a new folklore and amalgamation between post-modern individualism and internationalism.

Her work is represented in gallery, institutional, corporate and private collections. She has been on selection committees and juries such as Art in General, NY and Marblehouse Projects, Vermont.

Artworks

14

Elements, 2018

RELATED CATEGORIES

Installation / Art and Literature / Color / Dialectics / Immersive Installation / Land Art / Light / Multidisciplinary Approach / Neon / Neon Sculpture / Neon-Lighting Installation / Perception / Philosophical Practice / Photography / Public Project / Sensorial Aesthetics / Site Specific Installation / Site-Specificity / Sound / Space / Video

CURRICULUM VITAE

Solo Exhibitions

  • 2018

    From Other Worlds, Curated by Sarah Crown, The Yard, New York

  • Soft Geometry, Organized by Knut Blomstrøm, Trafo Kunsthall, Asker, Norway

  • 2017

    TIME BEYOND PLACE, video,14.25 min loop, sound composed by JG Thirlwell, Curated by Bjørn Hatterud, K4 Galleri, Oslo

Group Exhibitions

  • 2018

    Summer Lovin, Curated by Ben Peterson and Mark Demuo, Air Mattress Gallery, New York

  • Syndere I Sommersol, Fine Art Gallery, Oslo, Norway

  • THROUGH THE SPECTRUM, Athr Gallery, Jeddah, Saudi Arabia (Participating artists: Anne Senstad, James Turrell, Robert Irwin, Carlos Cruz-Diez, Leo Villarreal, Nasser Al-Selam and Timo Nasseri)

Public Art Projects

  • 2016

    NYC EDC, NYC Parks and recreation, NYC Arts Council, Arup, Scape Architects: The New Stapleton Waterfront public art commission, Staten Island, NY (Shortlisted)

  • 2010

    Bowling Green State University, Ohio State Percent for Art Program/Snøhetta Architects,The Wolfe Center for Performance Arts – Permanent publicart commission

  • 2003

    Penn State University, Engineering building, PA. w/TWBT Architects. Dedication Portraits for building lobby of donors.

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Curriculum Vitae

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Solo Exhibitions

  • 2018

    From Other Worlds, Curated by Sarah Crown, The Yard, New York

  • Soft Geometry, Organized by Knut Blomstrøm, Trafo Kunsthall, Asker, Norway

  • 2017

    TIME BEYOND PLACE, video,14.25 min loop, sound composed by JG Thirlwell, Curated by Bjørn Hatterud, K4 Galleri, Oslo

  • Topologies for a Vertical Sound – Anne Senstad, a midcareer survey, with sound, poems and calligraphy by Catherine C. Hennix, Exhibitions in absentia from the void rooms of Centro Culturale Don Orione Artigianelli, Dursoduro, Venice (On the occasion of the 57th Venice Biennale)

  • TIME BEYOND PLACE, on site in Abha, Asir, Saudi Arabia - a site specific and performative cross-cultural all-women collaborative platform by Anne Senstad with invited Saudi women artists. In collaboration with King Abdulaziz Center for World Culture/ ITHRA

  • UltraModerne, Curated by Generic Art Solutions, Good Children Gallery, New Orleans

  • 2016

    The Infinitesimal, Curated by Jumana Gouth. Sound composed by Catherine.C. Hennix, Athr Gallery, Jeddah, Saudi Arabia

  • 2015

    The Vanity of Vanities, Curated by Dr Roberta Semeraro, Organized by RO.SA.M, El Magazen Dell’Arte, 56th Venice Biennale, Venice

  • Color Gamut, Curated by Aja Martin, Zhulong Gallery, Dallas, TX

  • 2013

    State of Space, Curated by Bjørn Hatterud, SALT (Saltarelli Salong), Oslo

  • 2012

    Kinesthesia for Saint Brigid, Curated by Celina Jeffery, St Brigid's Centre for the Arts, Ottawa, CA (Site-specific installation)

  • 2011

    Kinesthesia in Kvinesdal, Curated by Torill Haugen, Utsikten Kunstsenter, Norway

  • The Infinity of Colour, Curated by Carlos Baragali, ThisIsNotAgallery, Buenos Aires

  • Is Her Name Red?, Curated by Malin Barth, Stiftelsen 3,14 Kunsthall, Bergen, Norway

  • 2009

    The Reason for my Life, Curated by Carlos Baragali and Andrew Utt, in conjunction with VIBA, Eva Peron Museum, Buenos Aires

  • The Sugarcane Labyrinth, Site Specific, 1,4 Acre Agricultural Landart, March-Dec 2009, Theriot, Louisiana, KK Projects, New Orleans, LA

  • Real Estate Representation, Site Specific installation, March-Oct 2009, KK Projects, New Orleans, LA

  • Diaspora USA Chapter, curated by KJ Bajsa, The Lab for Performance and Installation Art

  • 2008

    Translating Raw, Curated by Sebastien LePelletier, Gallery Nine5, New York

  • Light Words, White Neon, curated by Lies Coppens, Zendai MOMA, Shanghai

  • 2007

    Light Writes Always in Plural, Curated by Madeline Yale, Houston Center for Photography, Houston, TX

  • Light Writes Always in Plural, Curated by Björn Ressle, Björn Ressle Gallery, New York

  • 2005

    The Norwegians, Trygve Lie Gallery, New York

  • 2002

    ONE, Curated by Birgitte Schiøth, Galleri JMS, Oslo

Group Exhibitions

  • 2018

    Summer Lovin, Curated by Ben Peterson and Mark Demuo, Air Mattress Gallery, New York

  • Syndere I Sommersol, Fine Art Gallery, Oslo, Norway

  • THROUGH THE SPECTRUM, Athr Gallery, Jeddah, Saudi Arabia (Participating artists: Anne Senstad, James Turrell, Robert Irwin, Carlos Cruz-Diez, Leo Villarreal, Nasser Al-Selam and Timo Nasseri)

  • 2D or not 2D, Curated by Mark Demuro, Air Mattress Gallery, New York

  • A:Code.org.uk: Nordic DeLight, Curated by Vassiliki Tzanakou, Light Art festival, London

  • The Greatest Show on Earth, Organized by Richard Timperio, Sideshow Gallery, New York

  • Social Photography VI, Organized by Peter Scott. Incl, (Participating artists: Anne Senstad, Tracey Emin, Dan Graham, Thurston Moore, Walter Robinson, Barbara Ess and more.), Carriage Trade, New York

  • Ten on Ten, Curated by Kristina Larson and Emily Siekkinen Octavia Art Gallery, New Orleans, LA

  • Contemporary Nordic Art and Design, Curated by Bjørn Inge Follevåg, Erlend Høyeresten, Chen Shuyu, Juha Huuskonen, organized by Museum Director, Feng Boyi, He-Xiangning Art Museum, Shenzhen, China

  • 2017

    GOLD GUIDES ME – Capitalism in the Public Realm, Curated by Alexander Rishaug and Kyrre Karlsen, Øya Festivalen – Kunst på Øya, Oslo

  • Nasty Women, Curated by Jessamyn Flore and Roxanne Jackson, Knockdown Center, New York

  • Social Photography IV, Organized by Peter Scott, Carriage Trade, New York

  • 2016

    OSLO + PARIS, Curated by Helene Gulaker-Hansen, Shoot Gallery, Oslo

  • Everything Else is Too Narrow, Curated by Sarah Walko, Bærum Kunsthall, Norway

  • Sonic Architecture/Sonica Festival, Museum of Transitory Art, Ljubljana, Slovenia

  • The Best Thought I Had, Curated by Georgia Harrell and Suzanne Levesque, One Art Space, New York

  • Views, Organized by Sharabi & Stafford, Manama, Bahrain

  • Textile Topography, Supported by Office for Contemporary Art Norway, Edge of Arabia and Art Jameel Foundation, CULTURUNNERS – project/residency, Abha, Saudi Arabia

  • 2015

    The Synesthesia Edition, Dallas Aurora Festival, Dallas, TX, Immersive site specific projection installation at St Pauls Methodist Church

  • Sonoptic Parallels – The Infinitesimal, Curated by Julia Kaganskiy, New Museum, New York

  • The Calligraphy Challenge, A performative project. Supported by OCA and Art Jameel Foundation, CULTURUNNERS, NY – Detroit

  • Joshua Triennial, California, Site Responsive installation and performance Laboratory in the High Desert, Curated by Dr KJ Baysa and Bernard Leibov

  • Bruges Art and Architecture Triennial, Belgium, Curated by Michel Dewilde, Dr Manfred Sellnik, Till Holger Borchert and Lies Coppens

  • Safina Radio Project, 56th Venice Biennale, Collateral Event, Curated by Anabelle de Gersigny, Organzed by Al Serkal Avenue Dubai, UAE

  • 2014

    The Nature of Now, Curated by Pamala Bishop, Prospect 3 Satellite, The New Orleans Biennale, New Oleans, LA

  • The Age of Transformation, Curated by Nasser Palangi, Liwa Art Hub, UAE

  • Sonpotic Parallels – The Infinitesimal in conjunction with ISEA Dubai, Abu Dhabi Art Hub, Abu Dhabi

  • Material Way, Curated by Kathleen Kucka, BMCC Shirley Flterman Art Center, New York

  • Graphic, Gallery Nine5, New York

  • AIVA Video Art Festival, Sweden

  • Oslo Screen Festival, Filmens Hus, Oslo

  • 2013

    Rencontres Internationales Paris/Madrid/Berlin, Gaîté lyrique, Paris

  • Tears on a Coffin, Site specific performative installation, Converying the Invisible, Curated by Sarah Crown, No Longer Empty, New York

  • Light of Convergence, Aurora, Dallas, TX (Colour Synesthesia IV projection installation at The Cathedral Shrine of the Virgin of Guadeloupe)

  • The Metamorphoses of the Virtual - One Hundred Years of Art and Freedom, the 55th International Art Exhibition, La Beinnale di Venezia, Venice

  • 2012

    Art on the Beach, Curated by Jaewon Kim, Whitebox, New York

  • Rencontres Internationales Paris/Madrid/Berlin, Haus der Kunst der Welt, Berlin

  • Seeing Ourselves, Curated by KJ Baysa, MuseCPML, New York

  • Rencontres Internationales Paris/Madrid/Berlin, Beirut Art Center, Lebanon

  • 2011

    Rencontres Internationales Paris/Madrid/Berlin, Centre Pompidou, Paris

  • Neurodiversity, Curated by dr. KJ Baysa, Museum of Modern Art of Ukraine, Kiev, Ukraine

  • PRETERNATURAL, Curated by Celina Jeffery, Canandian Museum of Nature, Ottawa

  • Past and Present, Curated by Grace Rim, Pink Gallery, Seoul

  • 2010

    Winter Salon, Curated by Björn Ressle, Björn Ressle Art Projects, New York

  • The River of Migration, Permanent light installation, Curated by KK Projects, Life is Art Foundation West, Sonoma, California

  • 2009

    Salon Bruit, Verwektung, Stattbad Wedding, Berlin

  • VIBA, Video Arte Internacional Buenos Aires, Curated by Andrew Utt and Carlos Baragali, w/ThisIsNotAGallery, Buenos Aires, Argentina

  • A Matter of Light, Curated by Elga Wimmer, Elga Wimmer Gallery, New York

  • Zendai MOMA, Shanghai, Museum collection exhibition, Curated by Lies Coppens

  • Gallery Nine5, New York

  • 2008

    Perpetual Art Machine, Utsikten Kunstsenter, Norway

  • Works on Paper, Björn Ressle Gallery, New York

  • New Orleans Biennial – Prospect 1, KK Projects, New Orlean, LA

  • Convergence, Curated by Sebastien LePellerier, Gallery Nine5, New York

  • Envisioning change, Ministry of Culture, Monaco

  • Scandinavian Portraiture, Amos Andersons Konstmuseum, Helsingfors, Finland

  • 2007

    The Light House, Curated by KK Projects, KK Projects, New Orleans, LA

  • Anne Senstad/Dan Flavin, Bjorn Ressle Gallery, New York

  • Antennae, Curated by Madeline Yale, Houston Center for Photography, Houston, TX

  • Envisioning Change, Curated by Andrew Utt and Randy Rosenberg, Bozar Museum, Brussels

  • Envisioning Change, Nobel Peace Center, Oslo

  • Scandinavian Portraiture, National Museum, Fredriksborg, Denmark

  • Anne Senstad/Jene Highstein, Bjorn Ressle Gallery, New York

  • 2006

    Square One, Curated by Eric Swangstu, Art Mine. Port Hadlock, WA

  • w/Koan Jeff Baysa, Art: Pulse, New York

  • 2005

    4 Artists, Curated by Christina Kang, Paradigm Art, New York

  • Sheer Veil – Three points of view, Curated by Turid Meeker, Trygve Lie Gallery, New York

  • 2004

    The Peekskill Project, Curated by KJ Baysa, HVVCA, Peekskill, NY

  • Galleriets Kunstnere, Curated by Birgitte Schiøth, Galleri JMS, Oslo

  • 2003

    Plexi, Curated by Birgitte Schiøth, Galleri JMS, Oslo

  • School of 2003, Curated by Birgitte Schiøth, Vestfossen Kunstlabratorium, Norway

  • Anne Senstad and Matthew Abbott, Curated by Laura Raisanen, Transientnyc, New York

  • Red, Curated by Turid Meeker, Heiberg Cummings, New York

  • 2002

    Mundos Creados, Curated by Wim Melis, Noorderlicht, The Netherlands

  • Works on Paper, Curated by Gary Snyder, Gary Snyder Fine Art, New York

  • Semblance, Curated by Robin Rule, Rule Gallery, Denver

  • 2001

    Serial number, Curated by Lauren Ross, Gale Gates Gallery, New York

  • Cem anos de Fotografia, Museum da Casa Brasileira, São Paulo

Public Art Projects

  • 2016

    NYC EDC, NYC Parks and recreation, NYC Arts Council, Arup, Scape Architects: The New Stapleton Waterfront public art commission, Staten Island, NY (Shortlisted)

  • 2010

    Bowling Green State University, Ohio State Percent for Art Program/Snøhetta Architects,The Wolfe Center for Performance Arts – Permanent publicart commission

  • 2003

    Penn State University, Engineering building, PA. w/TWBT Architects. Dedication Portraits for building lobby of donors.

Grants & Awards

  • 2016

    Royal Norwegian Consulate General Houston, exhibition support, Good Children Gallery

  • Culturunners/King Abdulaziz Center for World Culture, project grant NBK, Vederlagsfondet, project grant, Norway

  • Billedkunstnernes Hjelpefond, 1 year Artist grant, NBK Norway

  • Office for Contemporary Art Norway, project support, Saudi Arabia

  • (Residencies) Culturunners/King Abdulaziz Center for World Culture, Saudi Arabia

  • 2015

    OCA, project support, CULTURUNNERS/Detrot – NY project

  • Arts Council Norway, Kunst og Ny Teknologi – spring 2015

  • PNEK, Norway – travel grant, participation in 56th Venice Biennale

  • (Residencies) Culturunners RV laboratory. A cross cultural travelling art platform. NY-Detroit

  • (Residencies) Marblehouse Projects, Vermont

  • 2014

    PNEK, Norway – travel grant, participation in ISEA Dubai2014

  • OCA, Project support, New Orleans Prospect 3 participation

  • (Residencies) Abu Dhabi Art Hub, UA

  • 2013

    Royal Norwegian Consulate General Houston, exhibition support

  • Royal Norwegian Consulate General New York, exhibition support

  • Foundation for Contemporary Arts, New York, Emergency grant

  • PNEK, Norway – travel grant, Venice Biennale participation

  • Royal Norwegian Embassy Rome, Support for the Venice biennial participation

  • 2011

    Kulturådet/Arts Council Norway, Project grant – Kunst og Ny Teknologi

  • Exhibition Support – Royal Norwegian Embassy Ottawa

  • Exhibition Support – Royal Norwegian Embassy Buenos Aires

  • 2010

    Artist/Project grant – NBK, Vederlagsfondet- Norway

  • Project Grant, Arts Council Norway, Fond for Ly dog Bilde

  • 2009

    Project support, for Eva Peron Museum exhibition, Fond for Lyd og Bilde,

  • Exhibition support, for Eva Peron Museum exhibition, Royal Norwegian Embassy, Argentina

  • Exhibition support, New Orleans, Royal Norwegian Consulate General, Houston

  • Artist Book release support, Royal Norwegian Consulate General, New York

  • 2008

    Artist Book support, Norske Fagfotografers Fond, The Norwegian

  • Federation of Craft Enterprises

  • 2007

    Artist Book support, Arts Council Norway

  • Project support, Office for Contemporary Art Norway

  • Exhibition support, Royal Norwegian Consulate General, Houston, TX

  • Project support, Vederlagsfondet, Norway

  • Exhibition support, Office for Contemporary Art Norway

  • Exhibition support, Royal Norwegian Consulate General, Houston, TX

  • 2006

    American Scandinavian Society Cultural Grant, NY

  • Vederlagsfondet, Artist Grant, Norway

  • 2005

    Book Project support, Royal Norwegian Consulate General, NY

  • Exhibition support, Royal Norwegian Consulate General, NY

  • 2003

    Exhibition support, Royal Norwegian Consulate General, NY

  • 2002

    Exhibition Catalogue Grant, Arts Council, Norway

Bibliography

  • 2018

    Saudi Gazette, June 2, 2018. Through The Spectrum. By Mariam Nihal

  • Kunst, Norway, Anne Senstad - Envisioning all that is Invisible, by Frøydis Benestad Hansen Hågvar. Aug/Sept issue, 2018

  • Kunstforum, Norway, A Norwegian Artist tries to Preserve Saudi Culture, by Esther Hayes-Grossman, Aug/Sept issue, 2018

  • Raincoat Society – Artists Without Borders, NY, Anne Senstad - Artist Interview. http://raincoatsociety.com/category/artist-interview/ By Tansy Xiao, Patrick Rolandelli

  • Eazel Magazine, New York/Seoul, Anne Senstad; Artist Interview. Fall 2018. By Tansy Xiao, Patrick Rolandelli

  • Art Frontier, China, Anne Senstad; Postmorden Folklore, Aug/Fall Issue 2018. By Tansy Xiao, Patrick Rolandelli

  • 2017

    Minerva, Norway; TIME BEYOND PLACE by Anne Sofie Larsen. 10/2/2017

  • Gulf News: On Time Beyond Place, March 16, 2017. By Mohammed Yusuf

  • 2015

    Exhibition catalogue, hardcover: Triennale Brugge Art and Architecture triennial

  • 2014

    The Raven: an interview with Anne Senstad, by Sarah Walko. Featured in EyesTowards the Dove. July 2014

  • MAAP Magazine, Italy - L’OPERA INFINITA DI ANNE KATRINE SENSTAD, 19/10/14. By Andrea Luizza. Online magazine

  • Arte Al Límite, Chile – Edition 110, November 2014. Page 35

  • Or Not Magazine, Milano, Italy, Online artjournal, May 10th, Light Writes Always in Plural, by Sarah Corona

  • Berlin Art Link, Online artjournal, April 8th, Light Writes Always in Plural by Sarah Corona

  • 2013

    Manifesto, China – Light and Color in the public space. Print publication. Presentation of The Locker Plant Projections. Pages 2-7, Issue 20, 2013/14

  • Hyperallergic, by Sarah Walko, Oct 25th, For One Night, a City Lights up with Art

  • Hyperallergic, by Sarah Walko, Sept 19th. Site, Sound and the Colors of Perception

  • Exhibition catalogue; Metamorphoses of the Virtual – 100 years of Art and freedom, Essays by Roberta Semeraro, Kjetil Røed, Celina Jeffrey

  • KUNSTFORUM, Norway –The biennial edition, issue 2, 2013, By Monica Holmen

  • 2012

    Journal of Curatorial Studies - Volume 1 Number 3, Exhibition review by Christine Conley, University of Ottawa, PRETERNATURAL

  • 2011

    PLAN Magazine, Italy – Snøhetta presentation w public art presentation of public art work ETERNAL, page 33. April 2012 issue

  • Exhibition catalogue, PRETERNATURAL, by Celina Jeffery, Published by Punctum books, NY

  • KUNST, Norway, Sensibel fotokunst, Sept 2011 issue, By Anne Marit Muri, pages 46-49

  • Morgenbladet, Norway - En Blå Stemme?, Exhibition review by Tommy Olsson, July 8th 2011, page 26-27

  • Kunstkritikk, Norway - online edition. Nasjonens Farge?, Exhibiton review by Arne Skaug Olsen. July 1 2011

  • Exhibitition catalogue, e-book by Stiftelsen 3,14, Bergen - Norway, Is Her Name Red?, essays by Malin Barth, Birgitte Schiøth, Anne Senstad Exhibition catalogue, Prenaturel?Surnaturel. University of Ottawa - CA

  • 2010

    Portrett av en samtid/A contemporary Portrait by Nicolai Strøm-Olsen and Andre Gali, Kunstforum, Norwegian Art Journal, www.kunstforum.as Jan17th 2010, online issue

  • 2009

    The Norwegians, Women – Artist Book. Essays by Kjetil Røed and Malin Barth.96 pages hardcover. Published by AKS, NY

  • DRAIN, Issue 12 COLD, I am not here, essay by Celina Jeffery, Ottowa University, contemporary Canadian online art history and theory journal

  • Review M Magazine, NY, Bjorn Ressle Gallery exhibition Inside the Art World by Joel Simpson, January issue 2009

  • 2008

    New York Times T Style Magazine, Cottage Industry, by Linda Yablonski 9/28/ 2008

  • Exhibition Catalogue, Intrude Art, HCP, Issue 4 2008, Zendai MOMA, Shanghai

  • 2007

    Review KK Projects, Artvoices,, Feb Issue, p.31. By Catherine Burke

  • Exhibition catalogue, The Pink Project, essays by Gary Snyder, Joseph Albers, Birgitte Schiøth

  • Antennae, SPOT Magazine, HCP, Summer Issue, Volume XXIV, No.2 Pages 2-7, by Madeline Yale

  • In Oslo, artists' conceptions of change, International Herald Tribune, Joel-Stratte-McClure. May 30 2007

  • VG, Norway Den Gode Vilje, Lars Elton May 2007

  • NTB, Norway, Klimabilder, 4 nordmenn og en dronning, by Helle Hoiness, June 2007

  • 2005

    The Norwegians – artist book. Essays by Thure Erik Lund and Gerhard Sander. 80 pages

  • (T)here magazine, issue 7, Nordman, 6 pages

  • Aftenposten, 02/28, Norway, Kulturfest for Kongeparet

  • 2003

    Henne Magazine, 11/03, Legg merke til Anne Katrine Senstad

  • Henne Magazine, 04/0, I magen på New York, Norway

  • Henne Magazine. 10/03, Industridesign på hjemmbane, Norway

  • Dagbladet, Norway, Lyser i New York, by Anne Thurmann Nilsen

  • Exhibition Catalogue, Light Color Sound, essay by Tracey Hummer

  • 2002

    VG, Norway, Fanger det flyktige, by Lars Elton

  • Dagbladet, Norway, Lysende fotokunst, exhibition review

  • Exhibition Catalogue, ONE, Galleri JMS, essay by Gary Snyder

  • Exhibition catalogue, Mundos Creados, Noorderlicht, The Netherlands

  • Denver Post, exhibition review Semblance, robin Rule Gallery, Denver

  • 2001

    The New Yorker, review Serial number

  • Time Out, review Serial number

  • Dagbladet, Norway, Norske menn i New York, exhibition review

  • 2000

    Dagbladet, Norway, Med blikk for kjente menn, interview