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Bone Pendulum in Motley

Freight+Volume is pleased to announce Bone Pendulum in Motley, an exhibition of sculptural assemblages by Johnston Foster. Expanding upon motifs suggested in Souvenirs of the Suzerain, the artist’s 2019 exhibition at Arts+Leisure, the works on display deconstruct the material scaffolding of our built environment, prompting the viewer to re-examine the material fabric of their daily lives and its relation to overarching natural cycles of death and decomposition. Radically recontextualizing the ubiquitous, otherwise banal plastics and disposable detritus of post-Capitalist society, Foster’s work probes the bounds of sculpture and assemblage; laying bare the seams of his practice by exposing bits of PVC garden hose and coax cable, among an encyclopedic array of other debris, Foster’s work simultaneously unravels and compresses, waxing and waning between parallel narratives of physical drama and metaphoric suggestion.

Likening his artistic process to a sort of “homegrown alchemy”, Foster works from intuition, allowing spontaneity and the constraints of his scavenged materials to guide him, rather than preconceived conceptual frameworks. Foster’s work is intensely evocative, and often manifests a riddle-like quality, evident in Valley of the Universe, one of the three sculptures of solitary human skulls on display. Nested within its hollowed-out cranium is a verdant oasis, replete with trees formed from cut yoga mats and a waterfall of poured glue, a microcosmic environment that suggests the duality of life and death as well as humanity’s transience in the face of the eternal cycles of nature.

The synthetic (and largely “suburban”) materials used in the work add an almost ironic dimension, yet also challenge our understanding of their existence as “dead” objects wholly detached from the natural world. In Untitled/Cactus Bird, which depicts several birds impaired on a group of cacti, the synthetic components (primarily PVC siding and strips of garden hose) coalesce in a quasi-organic manner, paralleling their natural counterparts, yet express their origin through their distinctly inorganic textures and surface finishes. Similarly, in Cul-de-Sac, Foster delineates the nerves and tendons of a flayed arm with such visceral accuracy that one almost expects the severed electrical-wire veins to gush blood. Here, imbuing his found materials with a sense of inner propulsion, if not human or biological “life”, Foster epitomizes the aforementioned transformative notion of alchemy.

Foster’s imagery in Bone Pendulum in Motley frequently alludes to mortality. In Early Bird, a Blue Jay bites on a piece of cable attached to a heart, recalling the proverb that “the early bird gets the worm”, albeit suffused with more fitalistic undertones. The mutilated snake in The Long Division is an almost exact facsimile of Benjamin Franklin’s Join or Die woodcut; by integrating national mythos into scenes of natural life and decay, Foster suggests that human societies have the same ultimate fate as the animals and discarded goods that recur in his sculptures. Showing two horses being ridden by skeletons, Pony Up rather grimly recapitulates this idea, showing two horses being ridden by skeletons, emphasizing the inevitability of death.

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Date

Oct 11 - Nov 10, 2019

Contact

info@freightandvolume.com >

Photos

Installation view of Bone Pendulum in Motley

Freight + Volume, New York

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Installation view of Bone Pendulum in Motley

Freight + Volume, New York

Artworks

Johnston Foster > <

The Bivouacer

Compass Rose

Crosseyed and Painless

The Descender

The Detour

Magnet Tarpit

Divided Sky II

The Giving Tree

The Hand of Mysteries

The Long Division

Fortress of Solitude

The Quagmire

Valley of the Universe

Early Bird

Cul-de-Sac

Pony Up

Johnston Foster > <

The Bivouacer

Compass Rose

Crosseyed and Painless

The Descender

The Detour

Magnet Tarpit

Divided Sky II

The Giving Tree

The Hand of Mysteries

The Long Division

Fortress of Solitude

The Quagmire

Valley of the Universe

Early Bird

Cul-de-Sac

Pony Up

Artists

Johnston Foster

South Boston