We do not support Internet Explorer 9 and 10 to view this content : (
Please upgrade it to Internet Explorer 11 or Edge. Otherwise, please use Chrome or Safari!

Use W, A, S, D keys on your keyboard to move forward, left, back, and right.

W A S D

Left click and drag to look around the space.

Use the scroll wheel to zoom in and out.

or use the keyboard

Dear God,

Freight+Volume is pleased to announce Dear God, an exhibition of mixed-media paintings by Erika Ranee. Presenting works both on paper and canvas, Erika Ranee’s workexudes lively, fast tempo pours of paint layered alongside meticulous markings of larger shaped opaque spaces that duke it out for one's optical attention. Her works vibrate with energy. The biomorphic shaped pours, alongside structured curvilinear shaped areas, weave in and out of the painting structure of foreground and background spaces. Ranee’s use of flat shapesground these abstractions, which hone a likeness to geological objects, molten metals, water, plants, cells, prehistoric amber resins, estuaries, and urban landscapes.

The show’s title, Dear God, gives reference to the artist’s ongoing dialogue with a God in purely aesthetic ruminations. We tend to seek an almighty presence more often in times of desperation and fear. But what if the works in Dear God, reference the spiritual experience of contemplation, by observation necessitated by arranging and configuring a painting? In Mothership, Erika Ranee creates soft atmospheric spaces with the vehicle of spray paint which annuls hard edges with vapor-like boarders. This softness is at immediate reading very inviting, with warm oranges and electric pinks, set alongside flat colors of sky blues; it almost feels as if one is floating in the ether amongst heavenly star beings. The deep blue spaces in Mothership also read as dark matter, as an area full of something that we scientifically still don’t understand.

The painting You has gentle atmospheric blues that are reminiscent of water flow, rain currents, or estuaries. The muted red-purples are reminiscent of blood cells, as the red-purples play along the background of blue and darker snaking lines, becoming internal rivers and circuit of body liquids, which flow to the heart just as rivers course to the sea. You also has a wonderful repetitive rhythm: if it were a Jimi Hendrix song, the melody would play alongside the edge of the painting, with all the frenetic energy of fast guitar wails emanating from the center. Hendrix' voice, at once raspy and smooth, would oscillate and break the plane of your ears and mind just as Erika Ranee’s paintings soothe and meander between their internal spaces. Immediacy and weight are present in Ranee’s work. The deliberation of Erika Ranee’s paintings cannot escape its own energy - it can only be metabolized by the viewers.

read more

hide this

Date

Nov 14, 2019 - Jan 05, 2020

Contact

info@freightandvolume.com >

Artworks

Erika Ranee > <

Alhambra

And the Tree was Happy

Are We Good

Big Binge

Binge

Bird

Disney Land

Don't Go There

Everybody's Gonna Be There

Here We Go Again

I See Inside

The Isness

I Wonder If I Know What You Mean

This Looks Like Where Frank Lived

Marni

Marula

Maybe

Mothership

Nother

Onibaba

Park & Ride

Rock Eater

Sometimes I Think Too Much and I Exhaust Myself

The Split

Suzuki

This Looks Like Where Frank Lived

You

Erika Ranee > <

Alhambra

And the Tree was Happy

Are We Good

Big Binge

Binge

Bird

Disney Land

Don't Go There

Everybody's Gonna Be There

Here We Go Again

I See Inside

The Isness

I Wonder If I Know What You Mean

This Looks Like Where Frank Lived

Marni

Marula

Maybe

Mothership

Nother

Onibaba

Park & Ride

Rock Eater

Sometimes I Think Too Much and I Exhaust Myself

The Split

Suzuki

This Looks Like Where Frank Lived

You

Artists

Erika Ranee

Los Angeles